The Vũng Tàu shipwreck is a shipwreck that was found in the South China Sea off the islands of Côn Đảo about 100 miles from Vũng Tàu, Vietnam in 1692. The wreck was of alorcha boat—a Chinese vessel with Portuguese influences that has been dated to about 1690. It was found by a fisherman who had picked up numerous pieces of porcelain from the wreck while fishing. Sverker Hallstrom identified the wreck and its cargo in 1990. Australian diver Michael Flecker took charge of the archaeologi...
Attributed to Pieter van Bloemen
(Flemish, 1657-1720)
Military Encampment
Oil-on-canvas.
Painting size: 23” x 32”
Frame size: 31” x 40”
Born in Antwerp, van Bloemen was the brother of Jan-Frans and Norbert van Bloemen. His master was the battle painter, Simon van Douw. In 1673 van Bloemen was a master in Antwerp, but he did not stay there long. He is believed to have spent 20 years in Rome and it is known that he was working there in 1688. In 1694 he...
Exceptional George III bachelor’s chest in nicely figured mahogany with good color and patina, having a rectangular, cross banded top above an oak brushing slide and four graduated drawers flanked by canted, reeded corners and raised on straight bracket feet. English, circa 1780 (brasses replaced).
Length: 33.75”
Depth: 19.75”
Height: 32.5”
**Please note: This item is not currently on view in our gallery. If you would like to see it, please call at least 48 hours in advanc...
Rare 18th century fruit wood
tea caddy in the form of a large apple, having a circular
hinged lid with carved “stem”
opening to a tin-lined interior;
lock and escutcheon are
original, hinge is replaced
(repair to lid). Probably
Continental, circa 1760-80.
Height: 4.5”
Diameter: 4.5”
Extremely Rare George III Tea Caddy in the shape of an urn-form knife box, in partridge wood with satnwood stringing, octagonal with pagoda shaped lid and acorn-form finial, urn-form body and turned socle with square plinth base having inlaid banding (lock replaced). Circa 1790. Provenance: The Terence J. Fox Collection of Tea Equipage, Formerly the Collection of Iroquois Brands, Ltd.. Height, 10.”
English Gilt Wood Mirror
Size: 31.5” x 26.5”
Fine 18th-century English carved and gilt wood mirror with corner rosettes and later, distressed mirror plate. Circa 1760-80.
Fine George II Silver Tea Caddy, by Samuel Taylor, having a reverse pear-form body embossed with floral garlands centering a blank cartouche on each side, removable lid with shell-form finial. Marked on underside of base.
Samuel was the son of Thomas Taylor and started his apprenticeship with John Newton in 1737. His first marks was entered in 1744. Like his master, whose business he probably succeeded to, since Newton was finally in Maiden Lane, Taylor was a specialist in tea-caddies and sug...
Rare 18th century fruit wood apple shaped tea caddy, having a circular hinged lid with carved bone “stem”, opening to a tin-lined interior. Probably Continental, Circa 1760-80.
Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024
Height: 4.5"
5218-21: English, Bilston, late 18th century, patch box these memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, there decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day. This box reads "Unity is the bond of society."
English, most likely Bilston, eighteenth century. The elongated oval shape, all over floral decoration, and the unusual brown painted panels are not infrequent characteristics of Bilston’s “gingham finish” enamel boxes, hence the Bilston attribution.
Fine cracks to enamel, and small losses on both sides and back.
Source:
Susan Benjamin. English Enamel Boxes. (1976.)
English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. For example, by the 1790s Neoclassical style swags, doves, hearts, and borders were the most commonly used decoration of the day.
Allover cracking. Small losses to the lid, one side and the bottom.
Susan B...
English, Bilston, 18th century, patch box. These memento boxes were popular at the end of the eighteenth century and frequently given as tokens of friendship and love. They were also purchased as souvenirs while traveling. They frequently started with the phrase “A trifle from...” as seen on this box. Usually oval in shape, but also circular and rectangular, their decoration reflected the popular styles of the day. However, this box is particularly unusual in its mention of Blockley. Fou...
18th-century English Transferware Patch Box; Now known as Royal Leamington Spa, the town of Leamington began its prodigious spa industry in 1784 when it began building baths around its salt springs. Consequently, the image on this patch box displays a Classical figure holding a caduceus, a symbol of the medical community dating back the sixteenth century. Thus, it is safe to say that this could have been produced no earlier than the last quarter of the eighteenth century. In addition, this box...
Attributed to South Staffordshire, England, Possibly Bilston, late 18th century. The “gingham finish” was principally produced in this area. By placing a piece of cambric over solid ground color and then applying white enamel this finish was achieved. The three dimensional decoration was also found in the area. It was normally created by applying several layers of enamel. In addition, the unusual heart shape has been found in other Bilston boxes.
Chips to lid and side, loss to gildi...
Exceptional English Domed Top Tea caddy in harewood with satinwood stringing and brass carrying handles and interior fitted with compartments for teas and sugar bowl. Circa 1800.
Height: 6.75"
Length: 12"
Width: 5. 75"
Antique Cast Bronze Inkwell, circular with a hinged, domed lid and inscription around top rim. Probably Indian, 18th/19th Century
Diameter: 4.75”
Height: 3.75”
Fine Filigree Work Tea Caddy, Hexagonal, with kingwood banding and with all panels and lid decorated with rolled paper floral designs with traces of color and gilding: the front panel incorporates a central print of a boy playing a flute. English, Circa 1790.
Also known as “quill work” or “rolled or scrolled paper” tea caddies, these undecorated boxes would have been purchased from a cabinetmaker and decorated at home or in schools by ladies as a genteel amusement and to show thei...
Rare George III Tea Caddy with Hidden Drawer, rectangular with stepped hinged top surmounted by a brass carrying handle, brass escutcheon and sliding side panel revealing a hidden drawer (patch above keyhole, lacks interior dividers).
One of the rarest of this form of tea caddy, the concealed drawer would have held your silver teaspoons.
For other examples of this form, type "10261" or "10263" into the search box.
Height: 6”
Length: 9”
Depth: 5.25”
...
